250.000,00
Kejanggalan Vakansi tidaklah terwujud dalam garis cerita utama, alias perjalanan dinas yang diulur-ulur menjadi bulan madu dadakan, tapi pada eksplorasi audiovisual yang berlangsung sepanjang durasi film. Lewat serangkaian long take, kita diminta untuk ikutan berlama-lama menatapi stagnansi kehidupan Jarot, yang seharian kerjanya nonton televisi di rumah sambil sesekali jual bensin eceran. Lewat penyuntingan nonlinear, kita diajak untuk menyingkap momen-momen acak dalam perjalanan Ning dan Mur mengantar sofa, yang berpuncak pada suatu malam di penginapan.
Janggal karena kita jarang melihat kegagalan domestik dan perselingkuhan sedingin ini. Sinema kita cenderung memperlakukan keduanya sebagai perkara melodramatis kalau tidak menye-menye. Belum lagi kita bicara moral normatif yang sinema kita bebankan pada keduanya—kesannya kegagalan hubungan manusia adalah sesuatu yang tidak mungkin di negeri ini, dan kalaupun mungkin ia harus berakhir baik-baik. Vakansi santai saja mengolah semua itu. Terlebih lagi, Vakansi secara subtil berhasil menerjemahkan kegagalan domestik dan perselingkuhan dalam konteks budaya Jawa: dansa malu-malu dan penuh sungkan, yang saling menyilang tapi tak pernah bersentuhan.
EXECUTIVE PRODUCER Iwan Hanono |
CINEMATOGRAPHER Bayu Prihantoro Filemon |
DIRECTOR Yosep Anggi Noen | EDITOR BW Purba Negara |
CAST |
100.000,00
Sypnopsis
An engaged couple is lunching in a cafeteria, and we follow their conversation as they go into minute detail about what needs to be organized for the upcoming wedding. She stabs compulsively at the food on her plate as they discuss the dowry, and he waves around his hands. We learn that in Indonesia's culturally divided society, neither the preparations nor the wedding itself are simple. This is a glimpse into the life of a modern young people struggling with their parents' cultural legacy.
Director
Ismail Basbeth
100.000,00
Synopsis
One day my mother asked me to go home. Once I got there, she asked everybody in our family to choose a governor whose religion is Islam. I refused because I disagree with her logic. But mother kept on telling me to choose one based on religion. As the election day came, I chose not to choose anyone. Has english subtitles.
Directed by Bani Nasution
View full product details250.000,00
Synopsis
A raw, first-person account of the last war in Gaza in the summer of 2014. Mohamed Jabaly, a young man from Gaza City, joins an ambulance crew as war approaches, looking for his place in a country under siege, where at times there seems to be no foreseeable future. While thousands of things are published on the recurring violence in Gaza, the stories behind them remain hidden. Not this one.
Directed
Mohamed Jabaly
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